Archive for November, 2007

Defective Records Software releases Major Malfunction v2.0

Friday, November 30th, 2007
30th November 2007: Defective Records Software has announced the release of Major Malfunction v2.0, a new version of the Mac OS X realtime audio plugin specifically created for use in Ableton Live. It allows you to easi...

Flux updates all plug-ins to v1.2.0.22

Friday, November 30th, 2007
30th November 2007: Flux has updated all its plug-ins to v1.2.0.22. PC fixes: Master gain in Epure in Mono was not correct. Little bug in Pure Limiter was fixed. Mac Fixes: Little bug in Pure Limiter was fixed.

365 Days #334 - Roger Price - Roger and Over (mp3s)

Friday, November 30th, 2007

334 MP3:
The Amazing Theory of Names Demonstrated at the Village Vanguard (18:17)
The True and Authentic History of Vermont Jazz (13:57)
An Expose of Hi-Fidelity (4:50)
Sound Droodles (3:02)

Roger Price is my favorite forgotten comic, though this album may only give you the slightest idea why. Mr. Price is the self-same Price who co-created Mad Libs with Leonard Stern, and is therefore the Price in Price/Stern/Sloan (or pss!) – but that's not why, either. He also wrote for Bob Hope, Harvey Kurtzman's Mad and Steve Allen's Tonight Show, but that's also not why.

In the early 1950s, Roger Price invented the Droodle. That's why.

More specifically, Roger Price is aces with me because of the two collections of Droodles published by pss! – a little red book called "Droodles" and a little green book called "Oodles of Droodles" (formerly "Droodles #2"). I've had them since I was very young, and they were a major force in shaping my sense of humor. It's not the Droodles themselves so much, though they were certainly amusing and clever, as the commentary beneath them, which would often be ambling monologues only tangentially related to the picture above. Check out the "Crookshank" essay on the back of the "Roger and Over" record jacket for a sample of what I'm talking about.

Droodles were so popular for a brief period in the mid-1950s that Price hosted a game show for a while based on the concept. One Droodle, "Boat Arriving Too Late To Save a Drowning Witch," was used by Frank Zappa as an album cover in 1982. Tallfellow Press (founded by Stern and Sloan after selling pss! to Penguin in the early 1990s, shortly after Mr. Price passed away) keeps Droodles in print, though I don't know if the book they publish is a complete collection of the two books I grew up with, or just a "greatest of." Regardless, you should go right out and purchase whatever Droodle stuff you can get a hold of (the covers of my battered 1970s copies are scanned below to help you locate 'em in used bookstores and such, if you wanna go for the originals rather than the "new" collection).

The first side of the album starts out with an annoying series of pops and a skip right over the first punchline, but don't worry, it clears up right after that.

Incidentally, upon discovering this album, I was surprised to find that Mr. Price sounds somewhat like Hanna-Barbera's Mr. Jinks, right down to the constant use of 1950s "hipster" lingo... albeit with a not-as-exaggerated accent. Compare the stuff on the album with the recording on this page of Daws Butler doing the Jinks voice to tell a hilarious version of "Mary Had a Li'l Lamb." Could Price have been Butler's inspiration when creating the voice... ?

- Contributed by: Corey K.

Images: Jacket Cover, Jacket Back, Label (front), Label (back), Droodles book covers

Media: 33rpm vinyl album
Album: Roger and Over
Label: A.A. Records
Catalog: AR-1
Credits: Roger Price (featuring Sascha Burland, Don Elliott and the Vermont Jazz All-Stars with Meatloaf Pope, Pig-Meat Oaks, Fats Mush, One-Eye Muffin, Nutsy Gasaway, Bombo (at the piano) and Ma Kennedy!
Date: 1960

Ableton Live 7 Arrives; What It Means in Just a Few Words

Friday, November 30th, 2007

Ableton Live 7 was officially announced today. I’m here in an airport on a layover, but that gave me an idea: what does this mean, in plain English, without mentioning any specific features (with a couple of key exceptions), in a way you could explain to a friend in an elevator.

  • The core sound engine is improved, including higher-quality effects. Most noticably, the Compressor sounds fantastic.
  • Hardware lovers can now insert physical instruments as though they were plug-ins.
  • Time signature changes and tempo nudge should please live musicians and DJs.
  • A Drum Rack feature consolidates a whole bunch of workflows, from slicing up beats and assigning them to pads to easily creating complex chains of samples, synthesis, and effects on individual pads. This means remix artists, live performers, and DJs will all be able to more flexibly create beats.
  • In addition to the standard Live version, there’s now a Suite for a few hundred extra that bundles in more instruments.
  • You can also pick up new instruments a la carte, from a synth that models real-world instruments to sampled drums and an orchestral library. Ableton’s innovation here is reworking these instruments with their hallmark minimalist, consistent interface.

In short, Live 7 sounds better, is more flexible about rhythm and tempo, does the usual Ableton yearly release housecleaning, and introduces a simple but deep new method for working with virtual racks of drum pads.

Live Suite does for Abletonland what Logic’s instruments do for Logic Studio, but refined into a common set of interfaces and available a la carte (which could be good news or bad).

That’s the preview; more hands-on coming soon. Now, on to Australia, assuming my ground crew can fix my 747’s brakes. (Hmmm… you know what? I’ll wait rather patiently for that.)

Burning questions list: Okay, like 30 seconds after that was posted, someone already has a really good, technical question. So leave them here, and I’ll try to get to them over the coming weeks.

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**The Dirty Duo - Inside Our House (GREAT TUNES FOR THOSE WHO LOVE THIS MUSIC) MP3 4 ur iPOD (MP3)

Thursday, November 29th, 2007
This set is full of Minimal, Tech-House, Progressive House and a bit of Electro too. Our demo's and this site have helped us get a couple of solid gigs in San Francisco. Listeners Comment by: Jaime James "EFFIN' AMAZING MIX, YOU 2!!!! YOU PUT ME TO SHAME WITH YOUR RELEASES. I NEED TO GO BACK INTO SECLUSION UNTIL I CAN OUTDO YOU AGAIN. ;)" Thanks goes to Scott Carrelli, Dirty Birds & Jondi & Spesh. - Source Site:http://www.mixdepot.net/TheDirtyDuo/InsideOurHouseminimaltechhouseprogelectro

**The Dirty Duo - Grillz, Green & 59 Inch Rims Vol. 2 (ALL SORTS OF GOOD HOUSE) MP3 Mix 4 UR iPOD Yeaaaaah Boyyyyy!! (MP3)

Thursday, November 29th, 2007
For this CD we focused on more house and less hip-hop but keeping the theme consistent. As always, this mix builds using some Minimal, lots of Tech House and ramping up to the banging stuff. If you like this check out all of our other mp3's which are all FREE downloads at www.mixdepot.net/thedirtyduo - Source Site:http://www.mixdepot.net/TheDirtyDuo/GrillzGreen59InchRimsPart2LiveonGermanysBorgRadio

DJ ens - Work That Girl (Pitbull vs. Luke’s Anger) (MP3)

Thursday, November 29th, 2007
Premium blend from DJ ens! He takes a Pitbull's Go Girl and Luke's Anger's Work That Mod to create a faster, bangin' version. Check it! And if you haven't done so yet, check out his other mixes guaranteed to make you shake your pants! Peace! - Source Site:http://www.dj-ens.com/

Easy Rider?

Thursday, November 29th, 2007

200711-bike-soundsystem.JPG

Today's New York Times has an interesting feature about folks from the streets of Queens, NY, who build massive stereo soundsystems for their bicycles. Car batteries power these 'mobile' stereos, tricked out with amplifiers and powerful speakers. Some of them also pack decorative lighting, DVD screens, iPods and other ridiculous things.

Woot!

Bicycles That Carry Powerful Beats, and Even a Rider or Two [NYTimes]

Photo credit: NYT

AudioWarrior Announces Analogue Synthesizers For Kontakt

Thursday, November 29th, 2007

Playground - Livin’ On a Weak End (Streetlab mix) (MP3)

Thursday, November 29th, 2007
Coming from Paris, you may know PLAYGROUND from their 2004 dancefloor/rock hit "1994". After working with Placebo producer Dimitri Tikovoi, they invited more 80’s & Electronica into their sound...resulting in this 1st single from their second album. Here is our remix... - Source Site:http://www.streetlab.net