Recording - Stereo Mixers

Ideal for mobile live PA/production systems, the MultiMix 12R is the world's most affordable 12-input, 2-buss analog rack mixer featuring 8 mic preamps with 2 stereo line channels, all in a compact, 3-U rack mount configuration. This versatile mixer has 2-band, fixed frequency EQ on each channel, 1 pre-fader aux send and 1 post-fader aux send per channel, and 60mm linear potentiometers (faders) for master level of each channel. The master section features an external stereo aux return level, stereo LED bar graph meters, stereo master L/R buss 60mm fader, and a separate phones/monitor level control.

The super compact MM6FX and MM8FX analog mixers from Alesis are designed for handling critical performing or production applications. The MultiMix 6FX includes 2 mic/line inputs, 2 stereo line inputs, a 3 band EQ on each channel. The FX8 features 4 mic/ line channels with switchable 75Hz high-pass filters, 2 stereo line channels, a 3 band EQ on each channel. Both mixers feature 99 on-board 24-bit Alesis digital effects, for incredible control and creativity!

Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance—the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your big mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400’s output to a single input on your main mixer.

The Eurorack Pro RX1602 is a professional multi-purpose 16-input ultra low-noise line mixer. It can be used as an extremely flexible keyboard and multi-purpose sub-mixer, multi-track monitoring mixer, level translator, FX return sub-mixer and so on. There are 16 balanced high-headroom line inputs for individual stereo or mono use of each section.

They say, “Never change a winning horse”, but we just couldn’t resist. Already an absolute best-seller, our UB1202 12-input, 2-bus mic/line mixer now also features a stellar 24-bit/40 kHz multi-FX processor with 100 great-sounding presets including reverb, chorus, flanger, delay, pitch shifter and more.

Essentially an expanded version of the UB1204-PRO. It has all the same features as found in the UB1204-PRO, plus an integrated 24-bit digital stereo FX processor with 99 great-sounding VIRTUALIZER presets. There are also solo and PFL functions on all channels as well as a pre/post fader switchable aux send for monitoring/FX applications.

You get all the important elements right here in a 19 in. form-factor. This compact console offers 12 balanced high-headroom line inputs, 4 Invisible Mic Preamps (IMPs), 2 aux sends per channel (1 pre/post fader switchable for monitoring/FX applications and 1 post fader for internal FX or as external send). You also get an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels.

This is Behringer's second-largest console in the entire UB Series. There are 16 balanced high-headroom line inputs, 8 Invisible Mic Preamps (IMPs), 3 aux sends per channel (1 pre fader for monitoring, 1 pre/post fader switchable for monitoring/FX applications, and 1 post fader for internal FX or as external send). There are effective, extremely musical 3-band EQs with semi-parametric mid bands plus switchable low-cut filters on all mono channels.

It may be small, but the UB502 features the same state-of-the-art Invisible Mic Preamp (IMP) and the same Ultra low-noise (ULN) design for highest possible headroom as its larger brethren. Its one mono channel plus 2 stereo channels with a 2-band EQ on the mono channel make it ideal for use with fixed audio installations as well as keyboards, samplers, and computer application. Hobby musicians and video makers will also find use for this ultra-compact mixer.

The UBB1002 gives you the option of AC or battery power in an extremely flexible mixer with the audio quality and features you expect from a Behringer console, opening the door to numerous additional applications. It features two mono, three stereo and a separate stereo tape return channel. All stereo channels have separate gain controls for mic and line inputs, allowing both inputs to be active. Each channel offers our renowned 3-band EQ plus two aux sends; inserts are provided on the mono channels. Phantom power and balanced inputs and outputs round out this professional package.

The XENYX 502 has 5 inputs and main mix, stereo CD/tape plus separate headphone outputs. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history.

The XENYX 802 has 8 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history.

The XENYX 1622FX has 16 inputs and 2 Aux Sends for each channel. Additionally, 2 subgroups with separate outputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor.

The XENYX 1002 is a ultra low-noise, high-headroom analog mixer with 10 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility.

The XENYX 1002FX has 10 inputs and a studio-grade 24-bit stereo FX processor for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility.

The XENYX 1202 has 12 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps.

The new XENYX mixers will take you to an even higher plane. The XENYX 1202FX has 12 inputs and a FX Send control for each channel. Additionally, assignable CD/tape inputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps.

The XENYX 1222FX has 16 inputs and 2 Aux Sends for each channel. Additionally, 2 multi-functional stereo Aux Returns have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor.

The XENYX 1832FX has 18 inputs and 3 Aux Sends for each channel. Additionally, 2 subgroups with separate outputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor.

The XENYX 2222FX has 22 inputs and 3 Aux Sends for each channel. Additionally, 2 subgroups with separate outputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor.

The XENYX 2442FX has 24 inputs and 4 Aux Sends for each channel. Additionally, 4 subgroups with separate outputs have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor.

To develop the new XDR™ (eXtended Dynamic Range) mic preamp, the engineering team started with blank paper, concerned only with matching or exceeding the performance of $500 to $2000-per-channel esoteric preamps. They went through hundreds of iterations and revs and spent countless hours subjectively listening (and arguing). They started all over again several times. They scoured the world for rare parts. Then they spent more time critically listening and evaluating the design with every high-end microphone you can think of. Then they brought in veteran recording and live sound engineers for more exhaustive listening tests.

This 14x2x1 mixer includes Mackie's new XDR (eXtended Dynamic Range) mic preamps with sound quality matching or exceeding the performance of $500 to $2000-per-channel esoteric preamps.

The new DFX mixers are designed specifically for solo or small performing groups that don't have the luxury of a front-of-house sound technicianÖthose die-hard do-it-yourselfers that manage their own set-up and tear-down while possessing the uncanny ability to simultaneously make music and control their own audio mix. All knobs are color-coded and can be easily identified at a glance.

The new DFX mixers are designed specifically for solo or small performing groups that don't have the luxury of a front-of-house sound technicianÖthose die-hard do-it-yourselfers that manage their own set-up and tear-down while possessing the uncanny ability to simultaneously make music and control their own audio mix. All knobs are color-coded and can be easily identified at a glance.

Onyx Series mixers deliver more useful features, better sound quality, advanced tonal shaping, lots of extras like 4-segment LED metering on every channel, and optional FireWire connectivity.

Onyx Series mixers deliver more useful features, better sound quality, advanced tonal shaping, lots of extras like 4-segment LED metering on every channel, and optional FireWire connectivity.

The PV 10 USB features built-in DSP effects with multiple reverbs and delays, plus vocal enhancer and much more, while a USB port allows direct connection to a USB-equipped computer for recording from the mixer or playing back digital audio (compatible with Windows XP, ME & 2000). It also includes pre-fader monitor sends; post-fader effects send; inserts on all channels; and dual, switchable line inputs on the two stereo channels.

The PV 14 USB features built-in DSP effects with multiple reverbs and delays, plus vocal enhancer and much more, while a USB port allows direct connection to a USB-equipped computer for recording from the mixer or playing back digital audio (compatible with Windows XP, ME & 2000). It also includes pre-fader monitor sends; post-fader effects send; inserts on all channels; and dual, switchable line inputs on the two stereo channels.

The new Rolls RM203x Stereo Line Mixer is a line-level mixer with nine channels of stereo 1/4 in. inputs, a single XLR Mic Input, a Tape input and output provided via stereo RCA jacks, and a mono auxiliary send and stereo returns. Each channel has a signal Level control, a right/left Balance control, an Auxiliary level control, and a Clip LED indicator.

Each channel of the RM65b has a monitor send, FX send, bass and treble controls, and a volume slider. Each XLR input has a trim control on the rear panel.

If you simply need to mix a few sources to stereo - but insist on the finest audio quality available - the MG8/2FX is the way to go. It's compact and convenient to use, but won't compromise your signal in any way. And the MG8/2FX's built-in effects can take your music to a new dimension. For demo and music production, small sound reinforcement applications, or simply as a super utility mixer for any application, you can't lose with this compact performer.

Getting the music that's in your head out into the real world doesn't have to be difficult. In fact, with Yamaha's new MW10 and MW12 USB Mixing Studio, making great music is easier than ever before. Combined with the powerful Cubase LE audio/MIDI sequencing software, the MW Mixer provides a comprehensive tabletop studio setup for the solo recording musician and for the travelling producer/arranger.

Getting the music that's in your head out into the real world doesn't have to be difficult. In fact, with Yamaha's new MW10 and MW12 USB Mixing Studio, making great music is easier than ever before. Combined with the powerful Cubase LE audio/MIDI sequencing software, the MW Mixer provides a comprehensive tabletop studio setup for the solo recording musician and for the travelling producer/arranger.