Recording - 4-Bus Mixers
The Alesis MultiMix FireWire 12 Mixer is part of the new line of MultiMix mixers featuring FireWire data connectivity. The MultiMix FireWire Series includes 3 different tabletop mixers, all featuring exclusive DICE II FireWire technology.
Studio-quality components and effects processing combine with rock-solid construction. The MultiMix mixers also have USB audio, which allows direct-to-computer audio interfacing for 16-bit simultaneous stereo input and output using standard recording software. Includes Cubase LE.
The Alesis MultiMix FireWire 16 Mixer is part of the new line of MultiMix mixers featuring FireWire data connectivity. The MultiMix FireWire Series includes 3 different tabletop mixers, all featuring exclusive DICE II FireWire technology.
Studio-quality components and effects processing combine with rock-solid construction. The MultiMix mixers also have USB audio, which allows direct-to-computer audio interfacing for 16-bit simultaneous stereo input and output using standard recording software. Includes Cubase LE.
The Alesis MultiMix FireWire 8 Mixer is part of the new line of MultiMix mixers featuring FireWire data connectivity. The MultiMix FireWire Series includes 3 different tabletop mixers, all featuring exclusive DICE II FireWire technology.
Studio-quality components and effects processing combine with rock-solid construction. The MultiMix mixers also have USB audio, which allows direct-to-computer audio interfacing for 16-bit simultaneous stereo input and output using standard recording software. Includes Cubase LE.
Behringer's new SL2442FXPRO and SL3242FXPRO consoles unite studio perfection with live performance
Behringer's new SL2442FXPRO and SL3242FXPRO consoles unite studio perfection with live performance.
This is the big cajuna of the whole UB Series. You get all the features you'd expect in an ultra high-quality compact mixer: 16 balanced high-headroom line inputs with dedicated gain controls on stereo channels 13-16, 10 new state-of-the-art, studio-grade IMP Invisible Mic Preamps, and an effective, extremely musical 3-band EQ with semi-parametric mid band plus switchable low-cut filter on all mono channels. There is also an integrated 24-bit digital stereo FX processor with 99 great-sounding Virtualizer presets.
The XENYX 1204 has 12 inputs and 2 Aux Sends for each channel. Additionally, 2 multi-functional stereo Aux Returns have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history.
The XENYX 1204FX has 12 inputs and 2 Aux Sends for each channel. Additionally, 2 multi-functional stereo Aux Returns have been incorporated for routing flexibility. The new XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Neo-classic “British EQ” brings back the warmth and musicality of those ‘60s and ‘70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor.
Got a small band without a sound man? Grab a few powered speakers and this board for a great PA. Manage a big keyboard rig with it. And it's tops for a drum sub-mixer. Project studios cramped for space or big studios that need an auxiliary pre-mix can find help here. Video producers, djs, radio remotes, nightclubs...the list goes on. If you're seeing a picture develop that this legendary mixer is right for just about any application you throw at it, then you've got the right idea.
To develop the new XDR™ (eXtended Dynamic Range) mic preamp, the engineering team started with blank paper, concerned only with matching or exceeding the performance of $500 to $2000-per-channel esoteric preamps. They went through hundreds of iterations and revs and spent countless hours subjectively listening (and arguing). They started all over again several times. They scoured the world for rare parts. Then they spent more time critically listening and evaluating the design with every high-end microphone you can think of. Then they brought in veteran recording and live sound engineers for more exhaustive listening tests.
The new CFX.mkII Series mixers have been updated with more comfortable Onyx series knobs, new graphics for better visibility in less-than-ideal lighting conditions, and improved durability thanks to impact-resistant rubber side panels that have been added to the entire range. Best of all, the CFX.mkII mixers come at a price significantly lower than the original CFX series.
The new CFX.mkII Series mixers have been updated with more comfortable Onyx series knobs, new graphics for better visibility in less-than-ideal lighting conditions, and improved durability thanks to impact-resistant rubber side panels that have been added to the entire range. Best of all, the CFX.mkII mixers come at a price significantly lower than the original CFX series.
The new CFX.mkII Series mixers have been updated with more comfortable Onyx series knobs, new graphics for better visibility in less-than-ideal lighting conditions, and improved durability thanks to impact-resistant rubber side panels that have been added to the entire range. Best of all, the CFX.mkII mixers come at a price significantly lower than the original CFX series.
The PV Series has long been the benchmark of performance and value in audio, and the new PV mixers live up to this legacy. With the same reference-quality microphone preamps used in Peavey RQ Series mixers -- and an astonishingly low THD (total harmonic distortion) of 0.0007% -- the PV 10 is equally useful in project studios or live/program music mixing situations.
The PV Series has long been the benchmark of performance and value in audio, and the new PV mixers live up to this legacy. With the same reference-quality microphone preamps used in Peavey RQ Series mixers -- and an astonishingly low THD (total harmonic distortion) of 0.0007% -- the PV 14 is equally useful in project studios or live/program music mixing situations.
The emphasis with the Spirit E Series is very firmly on quality audio performance, with an easy to understand control surface uncluttered by unnecessary facilities. Mic and line inputs are provided on balanced XLR and 1/4 in. jack connectors for optimum performance, with the main stereo outputs on balanced XLRs for better integration with other professional equipment. There are also insert points on every mono channel and the mix outputs for external signal processing.
If you simply need to mix a few sources to stereo - but insist on the finest audio quality available - the MG10/2 is probably the way to go. It's compact and convenient to use, but won't compromise your signal in any way. With an optional adapter, the MG10/2 can even be mounted on a microphone stand for totally flexible positioning and easy access. For demo and music production in your personal studio, for band rehearsal or small sound reinforcement applications, or simply as a super utility mixer for any application, you can't lose with the MG10/2.
MG mixers go beyond the basics to give you extensive control for a wide range of applications - with the no-compromise Yamaha sonic quality that make the MG mixers the finest in their class. Whether music is a hobby or profession, these mixers will deliver total satisfaction. Choose your 12 (6 mic) or 16 (10 mic) channel MG series mixer and get to work. These mixers feature smooth, musical-response 3-band EQ on all input channels, 4 busses - a stereo group bus and outputs that can be used for convenient channel grouping, in addition to the main stereo bus- plus 2 aux sends (1 pre, 1 post), and a stereo return.
All the effect processing you need built-in -- if the idea of having some of the finest effects available built right into the console appeals to you, then consider the MG12/4FX. You get the same type of versatile mixing power and superior audio performance that is provided by the non-effect models, plus leading Yamaha signal processing quality all in one console.
The mid-range MG models go beyond the basics to give you extensive control for a wide range of applications and the no-compromise Yamaha sonic quality that make the MG mixers the finest in their class. Whether music is a hobby or profession, these mixers will deliver total satisfaction. If you don't need effects, or already have an arsenal of outboard favorites, the MG12/4 or MG16/4 may offer all the capacity and capabilities you need. But if the idea of having some of the finest effects available built right into the console appeals to you, then consider the effect enabled MG16/6FX.
The mid-range MG models go beyond the basics to give you extensive control for a wide range of applications and the no-compromise Yamaha sonic quality that make the MG mixers the finest in their class. Whether music is a hobby or profession, these mixers will deliver total satisfaction. If you don't need effects, or already have an arsenal of outboard favorites, the MG12/4 or MG16/4 may offer all the capacity and capabilities you need. But if the idea of having some of the finest effects available built right into the console appeals to you, then consider the effect enabled MG16/6FX.
If your application is live sound reinforcement, you'll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy.
If your application is live sound reinforcement, you'll want all the channel capacity you can get - just in case. Vocal mics, instrument mics, stereo keyboards, direct-injection feeds, drum mics, and the rest can add up very quickly. With 24 and 32 input channels, respectively, the MG24/14FX and MG32/14FX are ready to handle all but the most ambitious sound-reinforcement setups. And with dual SPX digital effect systems on-board, you won't need racks of outboard gear to get the sound you need. There's also a comprehensive range of group and auxiliary busses to make even complex mixes easy.